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The vision for the photos was to have an earthy tone to them. The wardrobe in these two photos has a lot do with why this photo is so unique and compelling. They were done in the studio of the other photographer, so it was a space Connor didn’t know with backgrounds and lights that weren’t his. These are the images he shot of that photographer and then the photographer also took shots of Connor. Creative Portraits One and TwoĬonnor did an exchange with a local photographer for this shoot. ISO changes the light of both in the image and can be increased from 100 to something higher like 200, 400, or maybe 800 when using battery powered flash to decrease the cycle time (the amount of time the flash has to wait to be ready). If you want more or less of one or the other you change the setting that controls it. Note: When using flash, aperture settings on the camera controls the power of the flash while shutter speed settings on the camera controls the ambient light.
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F/8 is a value kind of in the middle of the aperture for most lenses where the image quality is best and this gives him a little control over how to balance the output from the lights by stopping down (increasing the f-stop to f/11, or f/16) or opening up (decreasing the f-stop to f/5.6 or f/4.0) the aperture.
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Connor starts off at f/8 for all of his studio portraits. Connor shoots at 1/125 shutter for all of his studio portrait work.Īperture on the camera was f/8. Shutter on the camera was 1/125 for shutter, set just under the max sync speed (the maximum shutter speed before you get black bars on your image) which for Connor’s Canon 6D is 1/180 of a second.
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We are going to do a detailed walk through of the backgrounds, lighting, and camera settings for six creative portraits recently shot by Connor Hibbs. Subscribe: Apple Podcasts | Google Podcasts | Spotify | Android | Stitcher | RSS Anatomy of Six Creative Portrait Images Podcast: Play in new window | Download | Embed